With ‘Faceshift’ we can do real-time facial retargeting and currently working to get this head mounted in the near future. We are in the process of optimising our finger capture abilities. Faceware, Faceshift, Dynamixyz, Maya, Adobe Premiere, Vicon Blade, Vicon Cara Live and Post, MotionBuilder - Vicon T-160, Vicon Cara, Kinect, Asus Xtion, Primesence Carmine 1.09, custom helmet, GoPro. We also have a Oculus Rift Dev Kit 2 enabling our students to develop a pipeline for actor immersion. 10/2017 05/2018 Project Designer, Animator at Disney and ESPN Media Networks. Directed, acted and manipulated motion capture shoots as needed. Pipeline workflow through Xsens MVN, Motionbuilder & Cinema 4D 3D editor. bringing our MotionBuilder animation back into Cinema 4D for use in final production. Motion Capture for quick character animation. The tool was already great for fine facial capture, but now I imagine the lip movements will be even more believable.
FACESHIFT MOTIONBUILDER UPDATE
One of the big things in the update is lip-sync. With use of a cable free virtual camera and virtual environments, in both Motionbuilder and Unreal Engine 4 (utilising Vicon Pegasus) users can pre-virtualise their work in real-time. I also cover Faceshift which just released an update a few days ago. If you are unsure of what type of data you require then our team will be happy to advise the best option suited to your needs. We can export motion data in a number of current formats including: FBX, BIPED, BVH and C3D, if you require a specific format not listed then please let us know in advance of any bookings and we will try to accommodate your request.
FACESHIFT MOTIONBUILDER SOFTWARE
The software we use is industry standard and includes Vicon Blade, Motionbuilder, 3ds Max and Maya. We also have a range of props available from swords through to guns, but if we do not have the prop you require then we can arrange for any item that you can supply to be prepared as a prop for capture. Our capture volume is 6.5m long by 4m wide and has a ceiling height of 2.5m. We have a selection of mocap suits available and especially adapted shoes for our actors to wear in a wide range of sizes. We use a passive optical marker setup and use near infra red strobes.
The facility is equipped with 20, state of the art Vicon T10 series cameras capturing at 1 megapixel resolution and at up to 250 frames per second.
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